This Drifting Poo Was Way Too Meaningful! These Are the TV Letdowns of the Year.

As we consider the television landscape of the recent year, a selection of series stand out not for their excellence, but for their notable shortcomings. From cringe-inducing sequels to confusingly poor documentaries, here are the productions that had us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Burdened with dreadful scripts, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series fought to find its footing. For a moment, as the third season started, it looked like it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the creator announced this would be the last season. It ended on a bum note; the closeup of Miranda’s loo full of poo was simply too on-the-nose. Still, viewers undeniably had a hoot dissecting every single “what on earth?” episode. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who couldn't let out a little sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the smallest of this show's issues. The recipient of a exceedingly uncommon zero star assessment, it was hard to know where to begin listing the flaws. The hilariously leaden dialogue? The mind-numbing glorification of affluence and materialism? The almost deliberate parade of cliches? Acting so bad they felt almost spiteful? Let’s just say “each and every one” and forget about this show again. However, a second season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have known it from this multi-part docuseries which chuckled along at Sheen’s various bouts of reckless excess while struggling to tell us a single thing we weren't already aware of. Rather, it felt as if this volatile personality was being pandered to, so any sympathy this show might evoke should be saved for the people who have had to endure proximity with this charismatic but dismissive narcissist.

The Iris Affair

Of course we knew it was preposterous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer love for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

The Gangster Drama

Shady figures convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is unfair on the crime shows of the late 90s. Many look a little old-fashioned now, but at least they didn’t endure the ignominy of having to indulge unconvincing accents. But there were plenty of other problems. Mainly that it was just profoundly boring; a conflict over drug-selling territory between various London picaresques which felt rather simplistic.

With Love, Meghan

Considering the degree to which she provokes the ire of the nation’s performatively angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s televised forays into twee lifestyle as deliberate provocations. But then you view them and are compelled to concede that in this case, they might have a point. It’s like watching a homeware catalogue animated; a poster for wine o’clock with delusions of grandeur; a parade of sleeping dogs, humming beehives, Hallmark sayings and pointless crafting “hacks” you’ll forget instantly. All underpinned by immense, largely unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be said about regarding Victoria Beckham and her struggles with vocation, identity, self-worth. But for some reason, this documentary series chose not to explore them. Rather, the viewing was like consuming a marketing catalogue. She obviously has every right to bridle at what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this guarded non-event of a series.

The Game Show

It should have been the next cultural phenomenon – except even camper, with a glamorous star playing dead and a well-known personality overseeing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a programme that was trying way too hard to live up to something way beyond it.

Too Much

How does one follow a show that defined a generation? The expectation was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very glossy and, ironically, was insufficient. Plus, the sheer amount of famous cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the smart recruitment of talented emerging comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be handled with care. Rather, the series laboured awkwardly to find the right tone, lurching from strangely breezy, slightly mannered farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

Prime Target

We admire the lead actor … but did we buy him playing the most brilliant maths genius in history, a man so intelligent he’s on the verge of a discovery that could destabilise society? Nope! This international thriller about government agencies targeting – and killing off – intellectuals honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the content creator renowned for sexual escapades as she undertook her biggest feat yet. What on earth would possess her? What we wanted was way more interrogation of her actual psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who showed up to haul her son away from the queue. What we got was disturbing shots and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Amy Jefferson
Amy Jefferson

A software engineer and tech writer passionate about AI, cybersecurity, and emerging technologies, with over a decade of industry experience.